Coming Soon
William McIntyre -- Director CEO
William McIntyre worked as a film and stage actor at age 16. He studied theater in Europe and under Rubin Plaskoff at Los Angeles Harbor College. Bill appeared in a number of community and college stage productions. In Hollywood he produced and directed three music videos for Scopatone NY, directed commercials and low budget features. He formed Tatania Films with Dutch director Pieter Kroonenburg. At age 24 he was producing at KCET, the public TV station in Los Angeles. His shows were Rod McKuen & Friends and the NOW Show. Becoming involved in '60's counterculture media he began a long association with the Firesign Theatre. Moving into film as a writer/producer, he adapted works by Archibald Mcleish, Jack London and Ray Bradbury working closely with Ray, Orson Welles, Warren Oates and others. In 1969, as artist in residence he taught "Motion Pictures / Art & Industry" at Midwestern College in Iowa.
He returned to LA to produce the Firesign Theatre live - including NOT INSANE, The National Surrealists Light Peoples Parties convention to elect George Papoon for president - and in two nationwide weekly national radio syndications, Dear Friends and Let's Eat, originally broadcast live from LA Pacifica station KPFK. He dialoged network daytime shows for ABC and CBS, before producing a United Artists spoken word album in Nebraska, with poet laureate John G. Neihardt, in 1973. Neihardt was author of the best seller Black Elk Speaks. While recording Neihardt, Bill reported on the American Indian Movement (AIM) occupation of Wounded Knee for KPFK, from Chadron Nebraska, and on the Ogallala Sioux Reservation at Pine Ridge South Dakota.
After a writing stint in Taos New Mexico, Santa Barbara FM rock station KTYD, offered him the News Director job. His two years of daily radio reporting on the top rated rock station lead to directing state wide media for Ralph Nader and Peoples Lobby in the 1976 California Nuclear Safeguards Initiative. Soon after, he moved to a Colorado Rockies commune to complete his documentary account of the lost election, Nader Blitz Fizz. A second book, High Strange, a documentary account of the Southwest UFO cattle mutilations phenomenon, was completed before Bill was back in LA to produce and edit the re-release sound track album of Close Encounters Of The Third Kind, in association with Columbia Pictures and Steven Spielberg.
Returning to Taos, Bill wrote for Taos Rio Grande Magazine as an associate editor and began shooting Native American and environmental documentaries. The first was, Facing The Wind, on the AIM occupation of Yellow Thunder Camp in South Dakota. Others were, She Walks a Hopi Woman's Way; Fire Road, a Hopi Navajo Futurepast. In 1986 Bill co-produced and photographed With Sacred Breath I Am Walking, with theater director David Ode and David Seals, author of Powwow Highway, as on-camera narrator. He then produced and photographed Secret Of Sacred Canyon, on Honeywell Corporations attempt to install a depleted uranium test fire range in the Black Hills in South Dakota, and In Our Hands a portrait of Navajo death row convict Robert Henderson, for the New Mexico Public Defenders Office.
In 1990 as co-publisher and managing editor of Aztlan Journal a bioregional quarterly, in Creston Colorado, Bill founded The Earth Information System (EIS), a satellite TV environmental news network. For EIS he produced Will The Wolf Survive on a Colorado captive wolf sanctuary and No Time To Waste, about The Roy Process for neutralization of nuclear waste. By then, the new Internet offered an avenue of visual media distribution. In the mid-nineties Bill partnered with West End Productions, in Ventura California, to distribute video on the web. Soon after, he negotiated his contract with Sight Sound Technologies to distribute digital audio and video under their streaming and download patents. Sight Sound suggested Bill initiate his own digital distribution website which became ciniweb. The first CINIWEBTM production offices were located at San Buena Ventura Studios near Ojai California.
William McIntyre worked as a film and stage actor at age 16. He studied theater in Europe and under Rubin Plaskoff at Los Angeles Harbor College. Bill appeared in a number of community and college stage productions. In Hollywood he produced and directed three music videos for Scopatone NY, directed commercials and low budget features. He formed Tatania Films with Dutch director Pieter Kroonenburg. At age 24 he was producing at KCET, the public TV station in Los Angeles. His shows were Rod McKuen & Friends and the NOW Show. Becoming involved in '60's counterculture media he began a long association with the Firesign Theatre. Moving into film as a writer/producer, he adapted works by Archibald Mcleish, Jack London and Ray Bradbury working closely with Ray, Orson Welles, Warren Oates and others. In 1969, as artist in residence he taught "Motion Pictures / Art & Industry" at Midwestern College in Iowa.
He returned to LA to produce the Firesign Theatre live - including NOT INSANE, The National Surrealists Light Peoples Parties convention to elect George Papoon for president - and in two nationwide weekly national radio syndications, Dear Friends and Let's Eat, originally broadcast live from LA Pacifica station KPFK. He dialoged network daytime shows for ABC and CBS, before producing a United Artists spoken word album in Nebraska, with poet laureate John G. Neihardt, in 1973. Neihardt was author of the best seller Black Elk Speaks. While recording Neihardt, Bill reported on the American Indian Movement (AIM) occupation of Wounded Knee for KPFK, from Chadron Nebraska, and on the Ogallala Sioux Reservation at Pine Ridge South Dakota.
After a writing stint in Taos New Mexico, Santa Barbara FM rock station KTYD, offered him the News Director job. His two years of daily radio reporting on the top rated rock station lead to directing state wide media for Ralph Nader and Peoples Lobby in the 1976 California Nuclear Safeguards Initiative. Soon after, he moved to a Colorado Rockies commune to complete his documentary account of the lost election, Nader Blitz Fizz. A second book, High Strange, a documentary account of the Southwest UFO cattle mutilations phenomenon, was completed before Bill was back in LA to produce and edit the re-release sound track album of Close Encounters Of The Third Kind, in association with Columbia Pictures and Steven Spielberg.
Returning to Taos, Bill wrote for Taos Rio Grande Magazine as an associate editor and began shooting Native American and environmental documentaries. The first was, Facing The Wind, on the AIM occupation of Yellow Thunder Camp in South Dakota. Others were, She Walks a Hopi Woman's Way; Fire Road, a Hopi Navajo Futurepast. In 1986 Bill co-produced and photographed With Sacred Breath I Am Walking, with theater director David Ode and David Seals, author of Powwow Highway, as on-camera narrator. He then produced and photographed Secret Of Sacred Canyon, on Honeywell Corporations attempt to install a depleted uranium test fire range in the Black Hills in South Dakota, and In Our Hands a portrait of Navajo death row convict Robert Henderson, for the New Mexico Public Defenders Office.
In 1990 as co-publisher and managing editor of Aztlan Journal a bioregional quarterly, in Creston Colorado, Bill founded The Earth Information System (EIS), a satellite TV environmental news network. For EIS he produced Will The Wolf Survive on a Colorado captive wolf sanctuary and No Time To Waste, about The Roy Process for neutralization of nuclear waste. By then, the new Internet offered an avenue of visual media distribution. In the mid-nineties Bill partnered with West End Productions, in Ventura California, to distribute video on the web. Soon after, he negotiated his contract with Sight Sound Technologies to distribute digital audio and video under their streaming and download patents. Sight Sound suggested Bill initiate his own digital distribution website which became ciniweb. The first CINIWEBTM production offices were located at San Buena Ventura Studios near Ojai California.
Gold Dog Design
Gold Dog Design specializes in the development and implementation of browser-based intranets - extranets for the virtual office. Gold Dog Design has been building dynamic, client-controlled browser-based applications since 1995. Owned and operated by Carter Fleming, Gold Dog offers e-business deployment, web-based merchant services applications, web design & development, database integration and management, project management services and training.
Fleming has been a web developer since 1994 and currently designs websites for clients nationwide. He served as lead developer at Verisign, training programmers and overseeing conversion of merchant services applications. A founding director of a non-profit technology consortium, he has extensive experience in environmental mediation, town meeting facilitation and online conference facilitation.
Gold Dog Design specializes in the development and implementation of browser-based intranets - extranets for the virtual office. Gold Dog Design has been building dynamic, client-controlled browser-based applications since 1995. Owned and operated by Carter Fleming, Gold Dog offers e-business deployment, web-based merchant services applications, web design & development, database integration and management, project management services and training.
Fleming has been a web developer since 1994 and currently designs websites for clients nationwide. He served as lead developer at Verisign, training programmers and overseeing conversion of merchant services applications. A founding director of a non-profit technology consortium, he has extensive experience in environmental mediation, town meeting facilitation and online conference facilitation.
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